Why it pays to actually *read* the Vatican 2 documents…

I saw this a while back and it just made me cringe. The ladies in this video say so many things which make me sigh deeply.

Having said that, I think quite a few things that can be learned from this video.

Firstly, I think we can all learn something from the manner of the priest who, throughout the video, is calm, gentle and amiable. Personally, I think I would have had enough after five minutes.

Secondly, unlike his discussion partners, Fr. Ted clearly knows his stuff – Scripture, Vatican II documents and the Catechism and he explains the Church’s position clearly.

These are things we could all do with emulating.

UPDATE: The original video was broken, but I’ve now updated the post to point to a different video.

Chalking the doors

epiphany

Tomorrow is the celebration of Epiphany, the day in the Church’s calendar when we remember the visitation of the Wise Men to the infant Christ.

A couple of years ago I was at visiting a parish in Los Angeles for Epiphany and I encountered a tradition with which I was not familiar. As the priest entered the nave of the church, he ascended some portable steps and scribbled something in chalk above the doorway. This tradition is apparently quite common in other parts of the globe, but less common in the United States and I don’t ever recall coming across it in England.

The text

So what did the priest write above the doorway? Well, tomorrow you may see a priest write the following:

20 + C + M + B + 17

The 20 at the beginning and the 17 at the end refer to the new year, 2017. The C, M and B have a two-fold meaning:

1. The Initials of the Wise Men
CMB refers to the first letter of each of the traditional names for the Wise Men: Caspar, Malchior, and Balthazar.

2. Latin Abbreviation
It is also short for “Christus Mansionem Benedicat”, which means “Christ bless this home”.

The crosses between each of the letters naturally refer to the cross of Christ.

Not just on church doors…

In countries where the tradition is more prevalent, this doesn’t just take place at church, but it also happens in every home. All it takes is some chalk and a prayer.

This tradition represents another wonderful way in which to bring the Liturgy that we experience in church back into the home. It also provides a wonderful teaching opportunity for children. I think that, as a boy, I’d have been extremely excited at the possibility of writing on the walls outside the house without fear of repercussions!

Lectionary Notes Update

The Past

For the last few weeks I have not been pleased with the quality of the Lectionary Notes I’ve produced. They have seemed terse and inadequate and, even to produce notes of this mediocre quality, have consumed a substantial amount of time during my week.

As you may have noticed, no notes were posted this week…

Empty Book

The Present

Recently I have been trying to cut down on activities in an attempt to get a little bit more balance in my life. I haven’t felt that I’ve been doing justice to all my different responsibilities by spreading myself so thinly.

burn candle at both ends

The Future

I’ve therefore decided to no longer produce Lectionary Notes each week (Don’t worry though, I won’t be Vandapooling!). However, despite this news, I am not planning to give up these notes either completely or permanently

I originally began producing the notes for whomever was leading Bible study at the JP2 Group. Since most members of this Young Adult group have now led Bible study several times, I will now only produce my notes if the person leading that week is leading for the first time. For those more experienced leaders, I will simply point them to my Lectionary Resources post.

Over the lifetime of this blog I have produced commentary for forty-two different Sundays which, if one includes the vigils and feast days, is approximately 18% of the Lectionary. It would be great to reach 100% coverage, writing a complete commentary for the entire Lectionary. If the Lord grants me the years and the opportunity, I would love to pick it up regularly once again and complete it…

Produce one chapter like it?

I was recently having a discussion online with a Muslim and he said “The Qur’an even tells you exactly how to disprove it if you’re in doubt of its authenticity, so if no one has disproved it in 1440 years, and you can’t disprove it”. Here he was referring to the Qur’anic challenge to “produce a chapter like it”, as evidence that the Qur’an is of divine origin. 

I have to say, this challenge is bizarre for a number of reasons… 

Firstly, the challenge is rather light on details! Do we have to produce it in Arabic? What does it mean to be “like” the Qur’an? What objective criteria can we use to measure it? How do we know when the test has been fulfilled?

Secondly, entire websites devoted to poetry in the Qur’anic style. Why do these fail the test?

Thirdly, it’s just an odd argument. Even if I couldn’t produce something like the Qur’an, it doesn’t mean it’s divine. I can’t produce a Beethoven Symphony or a Shakespeare sonnet either!  Even if Muhammad was the only person in history to produce something like the Qur’an, I still don’t see why that would demonstrate it’s divine. Alternative explanations would be that Muhammad was uniquely skilled, or you could even suggest that it comes from a nefarious spiritual source.

Personally, I think the poetry of Kahlil Gibran greatly superior to the Qur’an, both in terms of beauty and wisdom. The English is great and I’m sure the original Arabic is as well. 

The Great Divorce: Chapter 8

Summary

After his interaction with the Hard-Bitten Ghost, Lewis is left sitting on a stone by the river feeling utterly miserable at the thought that the Solid People may, in fact, be malevolent, and he wrestled with the question as to why the Solid People did not do more to help those in the Grey Town. Could it be that they just came down to the plain to mock the ghosts?

He thinks of the punishment of Tantalus in deepest Hades, who is made to stand in a pool of water underneath a fruit tree’s branches, with the fruit always just out of reach and the water receding before he could drink it. He thinks of Revelation 14:11. He thinks of William Cowper who, upon realizing that he is dreaming and is, in fact, doomed to perdition says “These are the sharpest arrows in His quiver”.

The sense of danger he felt upon coming to this land returns with full force. “Terror whispered, ‘This is no place for you'”. He walks away from the river towards a thicket of trees in the hope of some kind of safety.

Thirty minutes later, he comes into “a little clearing with some bushes in the centre”. A Ghost enters, “a well-dressed woman…but its shadows of finery looked ghastly in the morning light”. She tries to hide by pressing herself against the bushes.

One of the Bright People enters and the Ghost squeals at him to go away. The ghost points out that she’s heading in the wrong direction, away from the mountains. He suggests that she could lean on him in the journey to ease the hurt of her feet.

The ghost responds that she can’t go “out there among all those people, like this” and says she’d never have come at all if I’d known you were all going to be dressed like that”. When asked to explain herself she says How can I go out like this among a lot of people with real solid bodies? It’s far worse than going out with nothing on would have been
on earth. Have everyone staring through me.”

The Solid Person explains that “we were all a bit ghostly when we first arrived, you know. That’ll wear off. Just come out and try.” The ghost says she’d “rather die”. She says she wish she’d never been born and asks “What are we born for?”, to which the ghost responds “For infinite happiness… You can step out into it at any moment”

The ghost continues to protest, but the Solid Person compares shame to liquids too hot to touch, but not too hot to drink: “Shame is like that. If you will accept it-if you will drink the cup to the bottom-you will find it very nourishing: but try to do anything else with it and it scalds.”

Although momentarily tempted to trust the Solid Person, but returns to her complaining. The Spirit asks “Could you, only for a moment, fix your mind on something not
yourself?” but to no avail. He therefore blows a horn which results in “A herd of unicorns came thundering through the glades: twenty-seven hands high the smallest of them and white as swans but for the red gleam in eyes and nostrils and the flashing indigo of their horns” The Ghost screams and Lewis says he thinks she makes a bolt towards the Spirit, but he himself fled from the scene.

Questions

Q1. Why is Lewis feeling dejected at the beginning of this chapter? What questions does he have?

Q2. What is the problem with the ghost he sees in this chapter? What is her primary concern?

Q3. What does the Solid Person offer to the ghost? What does he say will happen in time?

Q4. Why does the Solid Person call the unicorns?

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Polycarp – Something I didn’t initially notice…

I was looking at my post from a couple of days ago and noticed something about the icon of Polycarp that I didn’t initially notice…

If you look carefully, you will see on the left the emblem of a bird, peaking out from underneath Polycarp’s robes. I believe this bird is the Phoenix. If you don’t know the mythology surrounding the Phoenix, it is described in the letter of St. Clement of Rome to the Corinthians (96 AD):

“Let us consider that wonderful sign [of the resurrection] which takes place in Eastern lands, that is, in Arabia and the countries round about. There is a certain bird which is called a phoenix. This is the only one of its kind, and lives five hundred years.

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Symbolism: St. John’s chalice and snake

Over the next few months I’ll be writing some more about ancient Christian symbols (the fish, the anchor etc), but I thought I’d reboot my Symbolism Series by talking about something which caught my eye at Liturgy this morning.

In my parish, around the inner portion of the dome, we have paintings of the Twelve Apostles (with St. Matthias replacing Judas). This morning I ended up sitting next to the following painting of St. John:
John

It occurred to me that, while I know the book he is holding is symbolic of his Gospel, I had no idea of the symbolism behind the chalice and snake. When I got home I needed to satisfy my curiosity, so I did some research…

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